Buoyed by their enthusiasm, I sometimes paddle with friends Jeanne and Glenn. Last fall Glenn asked if I would help him make a Greenland style paddle as a Christmas gift for Jeanne. This long, tapered design has been in use for hundreds if not thousands of years and offers an alternative to modern high-angle paddles in space-age materials. I said yes.
At a local lumberyard that has access to unusual timbers Glenn found a flawless piece of western red cedar. The grain was vertically aligned permitting us to create a reasonably stiff paddle with the least amount of weight. Once we settled on the proper length for the paddle, I jointed and planed the plank to make it straight. We then explored our way to a pleasing taper from the tip of the blade to the handle area. I roughed out the shape on my band saw.
Knowing we had options, I suggested to Glenn he would most enjoy the process of making this paddle if he refined its shape with hand tools rather than power tools. As I demonstrated the effectiveness of my smallest Krenov-style plane and a small brass spokeshave he was convinced. Over the next three weeks we met as often as possible to work on the paddle. When our work periods included the lunch hour, Glenn kindly brought fried chicken and wrapped sandwiches.
Sometimes we worked on opposite ends of the paddle, moving toward each other; other times I turned away to let Glenn’s relationship to the paddle develop on its own. I tried to give him a minimum of instruction so that he would begin to relate to the tools and the material rather than to me. I wanted him to grow more intimate with all the connections between sensitive hands, fragrant wood, and his own neurological pathways as the strokes became familiar and repeatable. To the best of my ability I aimed for what Tao Te Ching calls “wordless instruction.”
Day after day Glenn removed material, looking for a pleasing shape and a proper feel in the hand. Gradually the paddle gained symmetry and the lines began to flow. Eventually we unified all the small facets from the tools’ passage over the wood by hand sanding through a series of abrasives until the paddle was extremely smooth. We also wet the wood with water to raise the grain, and when it was dry, sanded off the fuzz. We rubbed in some tung oil to reveal the wood’s final color and offer modest protection from the water.
But Glenn was not finished. In his mind’s eye he saw a loon and Jeanne’s initials on one of the blades. I encouraged him to draw out what he wanted to see on a piece of scrap paper, then on the wood itself. Meanwhile, I unpacked my wood burning stylus and turned on the pyrograph. After a little practice Glenn mastered the pace of stroking the pen over the surface of the wood while allowing it to recover its heat between strokes. He created a small, beautiful loon and wove the initials into a subtle water pattern beneath the bird.
In the end we held the paddle upright and rested the wood on the top of my toes while my wife took a photo of the proud craftsmen.
Perhaps a few hundred people a year make their own kayaks and paddles. For the most part, though, these tools for crossing water are made of carbon, fiberglass, Kevlar, and roto-molded plastic. Making a paddle from timber felled just across our northern border and using hand tools put us in touch with a non-industrial process, the joy of working together and working by hand. Again, as Tao Te Ching says, there is a rare satisfaction in being able to say, “we did it ourselves.”
What a soulful description of all the parts of this process. J and G will cherish this narrative and pictures. Daoist woodworking, for sure!
Thanks, Joyce. I want them to have a record of this experience in both the tangible and virtual worlds.
Love this! Love the prose. Love the photos. Love the writer.